When a woman capable of "stopping the world" tells you to "carry on", there's no choice but to bring it. If you remember nothing else from The Pinkprint, remember this: Nicki Minaj is the only woman who can get Beyoncé to do her bidding. Bey's breathiness builds alluringly until the moment Nicki finally references her own verse on Kanye West’s "Monster" (a reminder that, in one song, she's already boasted four different flows). Every aspect of the production is seductive, smooth, sharp: James Brown grunts, drums bounce, and spacey keys wind their way into the hook. She plays the Pippen to Nicki's Jordan, riding out one of Hit-Boy's most hypnotic beats. And then there's sassy Nicki, who boasts about sexual prowess while still flexing on her rivals: "Bitches ain't got punchlines or flow/ I have both, and an empire, also."īeyoncé becomes a mediator between Nicki's personality shifts, cooing out a sultry hook that keeps the vibe soft in view of Minaj’s hard lyricism. First, there's tough Nicki, who delivers masturbation puns and a virtuosic indictment of competitors who aren't even in her tax bracket, all in the same sentence. Like a great opera or short play, "Feeling Myself" has a beginning, a middle, and an end. That’s the only way they respect you.Nicki Minaj and Beyoncé's second collaboration-the highly-anticipated followup to the "Flawless" remix-is an opus in four acts. Railing against the double standard faced by women in entertainment, the outspoken Minaj once told MTV, “You have to be a beast. On top of her own success, Minaj helped rap-and rap audiences-look past narratives of gritty realism for something fluid and playful, but no less genuine or powerful. Minaj’s electrifying presence has also made her a secret weapon in the pop world, where she's just as likely to share credits with David Guetta and Justin Bieber as Ludacris and Future. Her work-shapeshifting, ferocious, cartoonish, and often filled with oddball voices and alter egos-is as capable of breaking hearts (“Super Bass”) as it is detaching heads (her breakout verse on Kanye West’s 2010 “Monster,” in which she arguably outshined both West and fellow guest Jay-Z). Turning to rap in her twenties, Minaj quickly became one of the brightest stars in Lil’ Wayne’s Young Money universe.
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Born Onika Tanya Maraj in Trinidad and Tobago in 1982 but raised mostly in Queens, Minaj attended Manhattan’s prestigious LaGuardia High School of Music & Art and Performing Arts (the inspiration for the movie Fame) before trying to make it as an actor- a past evidenced by the deep performative streak that runs through her music today. 'Feeling Myself' is a hip hop song backed by a West Coast synth, driving bass and drums. It was written by Minaj, SZA, Beyonc, and Hit-Boy and produced by the latter two. Few artists have impacted 21st century rap like Nicki Minaj. 'Feeling Myself' is a song by American rapper and singer Nicki Minaj featuring American singer Beyonc from Minaj's third studio album The Pinkprint (2014).
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